Meanings Behind Our Work

I've been thinking about this recently (actually I think about it all the time).  Another artist friend just blogged on this as well, so I'll add my two cents.  (http://aspinnerweaver.blogspot.com/2011/03/handmade-stories.html#comment-form)

So many artists put their work out there and think it will speak to others by itself.  Sometimes it helps to make a connection, from ourselves, to others, and for others.  I often call this the "J.Peterman" effect to those who remember the stories about the scarves and jackets that Amelia Earhart might have worn to circle the world and live an adventurous life...   I couldn't believe yesterday to see that Kashi cereal "is like a haiku" and also has a haiku on the box.  Yet, that is part of the aura and connects the product to the consciousness of the consumer. (Otherwise, eat generic oats)  True, part of all this is marketing (and to some that means bad) and part of this is getting your views of your work across to your audience.  A sunset might be a sunset, but it also might be "glistening gold and scarlet shimmering across the celestial sky."  Somewhere someone said that you should describe things as if for a blind person, for which I don't mean just without vision, but without the ability to see, feel, experience, understand.  The more you understand your own work and how to interpret it, the more it will carry across to the world.  Some people may get it without the background, but others need their eyes and minds opened.  Some may never get it, either.  They will have impersonal machine products that take up space and are disposable.  Me, I would like to connect, with people and the things they make to have a context.  Sometimes, it's easy, other times, I have to work harder at it...


This month I've been working on some towels (and rugs, and scarves, and all that goes with the job)....  I will probably be working on them for a while, since I put a long warp on.  It is a basic white warp with a border pattern that I tried in a heavier thread (though that didn't work out quite as I was thinking, but not in a bad way).  I got a few finished in white last week and made some in a light chambray blue ones yesterday and the day before.  I'm thinking the next round will be darker, navy blue, but then again, I'm also leaning towards spring greens or a natural linen/cotton weft.... 

I like the simple clean look.  It's classic and pure.  Yet, how do I convince others that simple can be sophisticated.  These won't be inexpensive, but they will endure... They have a texture that invites touch, but people think they are too "nice" to use.  So, I have to get them past that.  (I know, this round is white, too.)  I was thinking yesterday of the "scars" of experience.  That is, I mean to say, the scratches in one spot on a table that the 40y "nephew" made banging his spoon at 3y, or when "Aunt Sue" spilled the gravy on the linen table cloth that has been used for family holiday get-togethers every year, or the occasion chip in the china that happens despite our best care washing by hand.  Things don't last forever and if we put them on a pedestal, they never get used or enjoyed, or end up in museums.  We need to connect with our lives and sometimes remind others to connect as well.

If we just put our work out there, people just might not get it.

Small Parts

Today I am thinking of the small parts we have in this greater world.  Trivial things add up to greater things.  What may seem unimportant at one moment, may not be at another.  We make choices all the time.  I try to be mindful.  Sometimes things go our way and sometimes they don't.  What do we take from it, or pass along...I have to hold steady in my pursuit of my goals, even if I have doubts occasionally.  Stay true, while being aware.  Find your voice and speak your voice.

A post from a friend Is Talent Enough? makes me think and led me to another, Gatekeeper, I am you.

Timing is everything...


Last week, I finally managed to sort and dig out around the Atkinson loom finally and get a warp on it.  It has been sitting since the Oct move amidst boxes of rags and wound warps.  I finally got space cleared to work and tied the harnesses, lams and treadles back together, fixing frayed ties along the way and praying for the rest to hold a while longer.  I put a warp on for an order and got it threaded as well.  The time was right.  For all that I've been putting it off, avoiding it, etc., now it is workable!  Of course, I also now need to clone myself to add that project to my list: shawls on the LeClerc (1 more to go), towels on the Macomber (just started 21yds), runners on the Hammett (1/2 has been woven for order), and rag bags on the Toika (a few done, a few to go)... Never mind the projects I still want to do after these...

Today, I hope to get started on the new warp...I guess I had to get some of those other projects out of my system this past week: a few towels, a couple of scarves, several bag bodies...

A good project for the day's contemplation of world chaos.